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  • 12:01, 4 February 2026International network (hist | edit) ‎[123 bytes]Npk (talk | contribs) (Created page with "= a global, transnational, or cross-border structure connecting artists, curators, galleries, institutions, and supporters.")
  • 12:00, 4 February 2026Interactivity (hist | edit) ‎[171 bytes]Npk (talk | contribs) (Created page with "= a genre where the audience actively engages with and directly influences the artwork’s outcome or meaning, breaking the traditional barrier between creator and viewer.")
  • 11:59, 4 February 2026Installation (hist | edit) ‎[187 bytes]Npk (talk | contribs) (Created page with "= a three-dimensional, often site-specific, and immersive art form designed to transform the perception of a space rather than just occupy it; a mode of production and display of artwork.")
  • 11:58, 4 February 2026Ink (hist | edit) ‎[158 bytes]Npk (talk | contribs) (Created page with "= a versatile fluid or paste medium containing pigments or dyes used for drawing, painting, and printing, traditionally applied with pens, brushes, or quills.")
  • 11:57, 4 February 2026Industrial venue (hist | edit) ‎[147 bytes]Npk (talk | contribs) (Created page with "= a repurposed, former industrial space—such as a factory, warehouse, mine, or workshop—transformed into a gallery, studio, or cultural center.")
  • 11:56, 4 February 2026Improvisation (hist | edit) ‎[125 bytes]Npk (talk | contribs) (Created page with "= the spontaneous, unplanned creation of work in real-time, where the process of making and the final product often coincide.")
  • 23:00, 3 February 2026Soundscape (hist | edit) ‎[246 bytes]Npk (talk | contribs) (Created page with "= curated, immersive audio environment—comprising natural (biophony), environmental (geophony), and human-made (anthrophony) sounds—designed to evoke emotions, tell stories, or represent specific spaces, whether real, imagined, or historical.")
  • 22:57, 3 February 2026Solastagia (hist | edit) ‎[310 bytes]Npk (talk | contribs) (Created page with "= the visual or conceptual expression of distress, grief, and homesickness caused by the unwanted, negative transformation of one's home environment due to climate change, industrial destruction, or urban development.")
  • 22:56, 3 February 2026Social realism (hist | edit) ‎[190 bytes]Npk (talk | contribs) (Created page with "= a 20th-century art movement, flourishing between the World Wars, that uses realistic, often gritty, depictions of everyday life to critique power structures, poverty, and social injustice.")
  • 22:55, 3 February 2026Social criticism (hist | edit) ‎[198 bytes]Npk (talk | contribs) (Created page with "= a genre of creative production that uses visual, performative, or conceptual means to analyze, question, and expose systemic inequalities, power structures, and cultural injustices within society.")
  • 22:47, 3 February 2026Ready-made (hist | edit) ‎[168 bytes]Npk (talk | contribs) (Created page with "= a 20th-century art form pioneered by Marcel Duchamp that designates ordinary, mass-produced, or found, functional objects as art, often with little or no alteration.")
  • 22:46, 3 February 2026Relational esthetics (hist | edit) ‎[426 bytes]Npk (talk | contribs) (Created page with "= a set of artistic practices that take the whole of human relations and their social context as their theoretical departure point, rather than focusing on independent, private, or static art object; it emphasizes interactive, participatory, and user-friendly experiences, often creating social environments—such as meals, meetings, or games—where the artwork exists in the interaction between the audience and the artist.")
  • 22:45, 3 February 2026Resin (hist | edit) ‎[138 bytes]Npk (talk | contribs) (Created page with "= a two-part synthetic compound—usually epoxy resin—that cures from a clear, viscous liquid into a durable, glossy, and solid plastic.")
  • 22:44, 3 February 2026Ritual (hist | edit) ‎[151 bytes]Npk (talk | contribs) (Created page with "= the integration of structured, symbolic actions, performances, or objects within creative works to serve spiritual, ceremonial, or cultural purposes.")
  • 22:43, 3 February 2026Hyperrealism (hist | edit) ‎[167 bytes]Npk (talk | contribs) (Created page with "= a genre of painting and sculpture that creates11 high-resolution,, incredibly lifelike images or objects that resemble, or often surpass, the detail of a photograph.")
  • 21:40, 3 February 2026Humor (hist | edit) ‎[70 bytes]Npk (talk | contribs) (Created page with "= the quality of being amusing or comic; tricks played on the viewer.")
  • 21:38, 3 February 2026Historization (hist | edit) ‎[219 bytes]Npk (talk | contribs) (Created page with "= the process of placing an idea, event, or object within its specific historical context, rather than considering them as timeless or absolute, allowing for an understanding of how they developed and changed over time.")
  • 21:36, 3 February 2026Happening (hist | edit) ‎[162 bytes]Npk (talk | contribs) (Created page with "= a spontaneous, immersive, and often unscripted performance or event, initiated by artist, designed to break down boundaries between art, life, and the audience.")
  • 21:35, 3 February 2026Gestural (hist | edit) ‎[137 bytes]Npk (talk | contribs) (Created page with "= characterized by bodily movements, particularly those involving hands, arms, or facial expressions that may convey meaning or emotions.")
  • 21:34, 3 February 2026Geometric abstraction (hist | edit) ‎[126 bytes]Npk (talk | contribs) (Created page with "= a form of abstract art based on the use of geometric forms sometimes, though not always, placed in non-illusionistic space.")
  • 21:33, 3 February 2026Generative art (hist | edit) ‎[175 bytes]Npk (talk | contribs) (Created page with "= a creative practice where artists use autonomous systems —such as algorithms, code, or rulesets— to create art, often yielding unpredictable, non-human-directed results.")
  • 21:33, 3 February 2026Gender issues (hist | edit) ‎[378 bytes]Npk (talk | contribs) (Created page with "= refer to the social, economic, and cultural problems, inequalities, and power imbalances between women and men, often stemming from stereotyped roles, beliefs, and behaviors; artworks may define, critique, and challenge the historical and contemporary representation, production, and valuation of art based on gender, highlighting imbalances, stereotypes, and power dynamics.")
  • 21:31, 3 February 2026Games (hist | edit) ‎[157 bytes]Npk (talk | contribs) (Created page with "= interactive, often humorous, or thought-provoking playful works created by artists to challenge stereotypes, critique society, or tell stories in new ways.")
  • 21:30, 3 February 2026Futurism (hist | edit) ‎[150 bytes]Npk (talk | contribs) (Created page with "= an early 20th-century Italian avant-garde art movement (c. 1909–1914) that celebrated speed, technology, youth, violence, and the industrial city.")
  • 21:29, 3 February 2026Found objects (hist | edit) ‎[136 bytes]Npk (talk | contribs) (Created page with "= natural or man-made items not originally intended as art that artists select and recontextualize to create, or inspire, a new artwork.")
  • 21:29, 3 February 2026Figurative (hist | edit) ‎[153 bytes]Npk (talk | contribs) (Created page with "= representations that retain strong, recognizable references to the real world, particularly the human figure, animals, or, to a lesser extent, objects.")
  • 21:28, 3 February 2026Feminism (hist | edit) ‎[113 bytes]Npk (talk | contribs) (Created page with "= representations of challenges to patriarchal, male-dominated, and sexist structures in society and art history.")
  • 21:27, 3 February 2026Ephemeral works (hist | edit) ‎[155 bytes]Npk (talk | contribs) (Created page with "= temporary, often site-specific creations designed to exist for a limited time, directly challenging the notion of art as a permanent, commodified object.")
  • 21:11, 3 February 2026Environment (hist | edit) ‎[57 bytes]Npk (talk | contribs) (Created page with "= addresses ecological issues or uses nature as a medium.")
  • 21:03, 3 February 2026Internal view (hist | edit) ‎[160 bytes]Npk (talk | contribs) (Created page with "= a perspective that represents an internal point of view, and it is characterized by its own aesthetic values (“Ich-Nähe” in German); insider perspective.")
  • 21:02, 3 February 2026External view (hist | edit) ‎[139 bytes]Npk (talk | contribs) (Created page with "= a perspective that represents an external point of view, and it is characterized by its own aesthetic values (“Ich-Ferne” in German).")
  • 20:51, 3 February 2026East-West relations (hist | edit) ‎[207 bytes]Npk (talk | contribs) (Created page with "= a complex, evolving dialogue often marked by power imbalances which involves contrasting Western-centered ideologies versus Eastern-oriented ones.")
  • 20:50, 3 February 2026Drypoint (hist | edit) ‎[222 bytes]Npk (talk | contribs) (Created page with "= an intaglio printmaking technique where a design is scratched directly onto a metal or plastic plate using a sharp, needle-like tool, creating soft, velvety lines; it is a form of direct engraving that does not use acid.")
  • 20:49, 3 February 2026Drawing reportage (hist | edit) ‎[128 bytes]Npk (talk | contribs) (Created page with "= a documentation of real-life events, places, and stories through on-location sketches, serving as a form of visual journalism.")
  • 20:48, 3 February 2026Drawing (hist | edit) ‎[152 bytes]Npk (talk | contribs) (Created page with "= the technique of creating images on a surface, typically paper, by making lines and marks with tools like pencils, charcoal, ink, or digital styluses.")
  • 20:48, 3 February 2026Documentary (hist | edit) ‎[119 bytes]Npk (talk | contribs) (Created page with "= an effort to capture a realistic, often socially conscious, and factual representation of people, places, and events.")
  • 20:47, 3 February 2026Diptych (hist | edit) ‎[221 bytes]Npk (talk | contribs) (Created page with "= an artwork composed of two panels, typically painted, carved, or photographed, which are presented together to create a single, unified, or thematic piece; often used to explore dual themes, perspectives, or narratives.")
  • 20:46, 3 February 2026Diaspora (hist | edit) ‎[167 bytes]Npk (talk | contribs) (Created page with "= on the experience of living outside own country of origin or on migration experience; often exploring themes of displacement, hybrid identity, memory, and belonging.")
  • 20:43, 3 February 2026Dematerialization (hist | edit) ‎[427 bytes]Npk (talk | contribs) (Created page with "= a conceptual shift, emerging in the 1960s, where the artist's personal, physical, or emotional presence is minimized, obscured, or removed, prioritizing the idea, process, or the viewer's experience over the traditional authorial subject; this approach often aligns with "postsubjective aesthetics," focusing on impersonal systems, documentation, or collective, ephemeral actions rather than expressive, tangible art objects.")
  • 20:42, 3 February 2026Decolonisation of self (hist | edit) ‎[153 bytes]Npk (talk | contribs) (Created page with "= the active, conscious process of unlearning internalized Eurocentric, colonial, and capitalist perspectives to reclaim personal and cultural identity.")
  • 20:40, 3 February 2026Decolonisation (hist | edit) ‎[256 bytes]Npk (talk | contribs) (Created page with "= a deconstructive and reconstructive effort to remove “white” and “Western” influence or centrality from essentially any and everything; a need to value “other ways of knowing” (decolonial methodology).")
  • 20:39, 3 February 2026Dada (hist | edit) ‎[373 bytes]Npk (talk | contribs) (Created page with "= an early 20th-century international avant-garde "anti-art" movement (c. 1916–1924) that emerged as a radical, nonsensical reaction to the horrors of World War I, bourgeois capitalist culture, and nationalism, rejecting prior aesthetic standards, embracing chaos, humor, chance, and found objects (readymades) to provoke, shock, and challenge established societal norms.")
  • 20:37, 3 February 2026Cyclorama (hist | edit) ‎[207 bytes]Npk (talk | contribs) (Created page with "= a massive, 360-degree cylindrical panoramic painting designed to surround viewers, typically from a central, raised platform, creating an immersive, realistic experience of a landscape or historical event.")
  • 20:36, 3 February 2026Cyanotype (hist | edit) ‎[368 bytes]Npk (talk | contribs) (Created page with "= a 19th-century camera-less photographic printing process, invented in 1842 by Sir John Herschel, that produces distinctive, monochrome Prussian blue images, often used in art to create ethereal silhouettes, photograms, and blueprints, which uses UV light (sunlight) to develop light-sensitive iron salts on paper or fabric, resulting in a permanent, cyan-blue print.")
  • 20:35, 3 February 2026Curatorial practices (hist | edit) ‎[141 bytes]Npk (talk | contribs) (Created page with "= selection, organization, and presentation of artworks, transforming them into cohesive exhibitions that convey specific, researched themes.")
  • 20:35, 3 February 2026Cultural politics (hist | edit) ‎[189 bytes]Npk (talk | contribs) (Created page with "= the intersection of artistic expression with power, identity, and social change, acting as a tool to challenge or reinforce, dominant ideologies, societal norms, and political structures.")
  • 20:34, 3 February 2026Cubism (hist | edit) ‎[295 bytes]Npk (talk | contribs) (Created page with "= a revolutionary early 20th-century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque around 1907–1908 in Paris, that broke down forms into geometric shapes (planes, cones, spheres) to analyze, fragment, and reassemble subjects in an abstract, often monochromatic style.")
  • 20:33, 3 February 2026Concrete art (hist | edit) ‎[351 bytes]Npk (talk | contribs) (Created page with "= a form of non-representational, geometric abstract art, launched by Theo van Doesburg in 1930, that rejects all imitation of nature, symbolism, or subjective emotion. It focuses on "concrete" realities—lines, colors, and planes—as objective, self-contained elements intended to create a clear, rational, and, often, mathematical visual language.")
  • 20:33, 3 February 2026Conceptual art (hist | edit) ‎[204 bytes]Npk (talk | contribs) (Created page with "= a movement emerging in the 1960s—rooted in early 20th-century Dadaism—where the underlying idea, concept, or intention is prioritized above technical skill, aesthetics, or the final physical object.")
  • 20:21, 3 February 2026Collecting (hist | edit) ‎[207 bytes]Npk (talk | contribs) (Created page with "= the intentional, curated, and ongoing process of acquiring specific objects (e.g. artworks, such as paintings, sculptures, or installations) based on personal, thematic, historical, or investment criteria.")
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