Florin Buhuceanu Art Collection
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Florin Buhuceanu Art Collection
| Artist | Description | About artist | Medium | Style & Theme | Observation | Image |
|---|---|---|---|---|---|---|
| Alex Bodea | Example | Example | Example | Example | Example | Example |
| Irina Broboană | Example | Example | Example | Example | Example | Example |
| Liviu Bulea | Example | Example | Example | Example | Example | Example |
| Andrei Cădere | Example | Example | Example | Example | Example | Example |
| Leonor Fini | An erotic color lithograph by the Italian surrealist woman artist Leonor Fini (1907–1996), created around 1970 | Leonor Fini (1907–1996), a prominent female surrealist painter and printmaker. | Colour lithograph on paper (frequently printed on textured Japan paper). | The piece reflects Fini's signature style featuring fluid lines, a warm reddish-orange/sanguine palette, and theatrical, dreamlike explorations of human intimacy, eroticism, and the body. | Edition: Works of this type from her c. 1970 graphic series were typically pencil-signed and numbered in limited editions (such as editions out of 100 or 150 impressions, or marked as artist's proofs/EA) | |
| Daniela Groza | A series of 3 photographs from the series „Queer Joy” | Daniela Groza, b. 1983, is a Romanian documentary photographer working primarily with a medium format camera (6x7) | Photography | Self-representation, interested in joy as queer resilience | Queer intimism | |
| Mi Kafchin | The composition features a classic fortune-telling scene bathed in an eerie luminescent glow, depicting a figure staring into a crystal ball while another person listens in the dark, complete with a cat watching from the bottom-left corner | Hortensia Mi Kafchin (b. 1986, Galați, Romania, as Mihuț Boșcu Kafchin) practices a surreal, narrative figuration through the lens of many personal transitions: where east becomes west; where science becomes spirituality; where man becomes woman. | Painting | Surrealist imagery, blending narrative mystery, spirituality, and deep shadow tones | - | |
| Mi Kafchin | - | Hortensia Mi Kafchin (b. 1986, Galați, Romania, as Mihuț Boșcu Kafchin) practices a surreal, narrative figuration through the lens of many personal transitions: where east becomes west; where science becomes spirituality; where man becomes woman. | Painting | Surrealist imagery, blending narrative mystery, spirituality, and deep shadow tones | - | |
| Vasile Mureșan Murivale | Example | Example | Example | Example | Example | Example |
| Ioana Nemeș | Example | Example | Example | Example | Example | Example |
| Milița Petrașcu | A dark, textured figurative sculpture of a horse and rider, by the avant-garde sculptor and portrait artist Milița Petrașcu, also know as Pătrașcu | As one of Brâncuși's most talented pupils, Milița Petrașcu works with stylized, primal forms. This horse-and-rider composition strips away facial details and anatomy in favour of the pure silhouette | Dark patinated metal or bronze appearance with a rough, expressive surface texture. | Primitivist Modernism | The sculpture heavily strips away realistic anatomy in favor of basic geometric shapes. The horse’s neck and head form a singular, monolithic crest, while the rider is reduced to a simple vertical block. The choice of a dark, uniform black or deep bronze finish shifts the focus entirely onto the outline and weight of the object. It behaves as a graphic silhouette when viewed against a light background. | |
| George Tomaziu | Professor Dinu Albulescu's Portrait, 1941 | Example | China ink and China ink wash 38 x 32 cm | Example | Example | |
| George Tomaziu | Professor Dinu Albulescu's Portrait, 1965 | Example | China ink | Example | Example | |
| Petre Sirin | Example | Example | Example | Example | Example | Example |
| Petre Sirin archive | Example | Example | Example | Example | Example | Example |
| Example | Example | Example | Example | Example | Example | Example |
| Example | Example | Example | Example | Example | Example | Example |
