Dematerialization: Difference between revisions
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= a conceptual shift, emerging in the 1960s, where the artist's personal, physical, or emotional presence is minimized, obscured, or removed, prioritizing the idea, process, or the viewer's experience over the traditional authorial subject; this approach often aligns with "postsubjective aesthetics," focusing on impersonal systems, documentation, or collective, ephemeral actions rather than expressive, tangible art objects. | = a conceptual shift, emerging in the 1960s, where the artist's personal, physical, or emotional presence is minimized, obscured, or removed, prioritizing the idea, process, or the viewer's experience over the traditional authorial subject; this approach often aligns with "postsubjective aesthetics," focusing on impersonal systems, documentation, or collective, ephemeral actions rather than expressive, tangible art objects. | ||
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==== Representative artists: ==== | |||
<categorytree mode="pages">dematerialization</categorytree> | |||
Latest revision as of 19:35, 1 August 2026
= a conceptual shift, emerging in the 1960s, where the artist's personal, physical, or emotional presence is minimized, obscured, or removed, prioritizing the idea, process, or the viewer's experience over the traditional authorial subject; this approach often aligns with "postsubjective aesthetics," focusing on impersonal systems, documentation, or collective, ephemeral actions rather than expressive, tangible art objects.